The piece, also known as Concerto per arpa, flauto e archi, was commissioned by harpist Ariadna Tugaj from Rimsky Conservatory in Petrozavodsk. The three movement piece follows the formal order of a solo concert with orchestra. The applied form are frugal. Although the foreground parts belong to harp and flute, the role of orchestra is comparable.
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The piece was composed for viola player Artur Paciorkiewicz (composer’s son) and organist Joachim Grubich.
Also known as Concerto for Viola. This composition was written for the composer’s son, viola player Artur Paciorkiewicz. It is a virtuoso cheerful three movement piece. The first movement – Allegro deciso – is based on two clearly contrasting theme groups. The second one has a regular three-part form.
This piece for harpsichord and a chamber orchestra was commissioned by renowned Polish pianist and hapsichord player Mrs. Julitta Sleńdzińska (1927-1992). The form of the composition is going far from the classic structure and is similar to earlier concerti grossi. There are a lot of allusions and references typical for
This one movement piece for clarinet and horn has a form of rondo.
The piece was composed on the 30th anniversary of composer’s educational and composer work. The archetype for the composition is Sonatina for Bassoon and Piano (1953).
The piece was composed for the Karol Teutsch National Philharmonic Chamber Orchestra in Warsaw. In this two movement coposition composer draws on the traditional sonata form. The first movement is slow and contemplative with a dense and saturated sound.