The piece was composed for the Karol Teutsch National Philharmonic Chamber Orchestra in Warsaw. In this two movement coposition composer draws on the traditional sonata form. The first movement is slow and contemplative with a dense and saturated sound.
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This concerto is a transcription for a wind band of an earlier composition for symphony orchestra. It is a virtuoso piece with a balanced oboe voice and the orchestra.
This is a virtuoso piece for a soloist with the standalone orchestra part. The virtuoso trumpet cadenza is in the first movement.
Concerto was commissioned by two violinists Bogusław and Krzysztof Bruczkowski. The piece in three movements without solo cadence and with virtuoso texture, gives opportunity to show the mastery of both soloists in different parts and instrumental set ups. The orchestra part is separate, far from accompaniment
Also known as Concerto for Viola. This composition was written for the composer’s son, viola player Artur Paciorkiewicz. It is a virtuoso cheerful three movement piece. The first movement – Allegro deciso – is based on two clearly contrasting theme groups. The second one has a regular three-part form.
The piece was composed for viola player Artur Paciorkiewicz (composer’s son) and organist Joachim Grubich.
A song for solo soprano, choir and chamber orchestra aimed at amateur choirs.
Suite for string orchestra composed at the request of Henryk Debich for the Orchestra of Polish Radio in Łódź.
This is a series of five songs for soprano voice and piano – Ogrody dzieciństwa / Martwa natura / Narodziny liryki / Jeszcze kilka pieśni / Od liści po obłoki – composed for the lyrics of Włodzimierz Słobodnik. Uniform music and the texture matching technical possibilities are characteristic forthis piece. Originally the piece was composed for […]
It is one movement piece for piano and orchestra, easy to play and listen to.Formerly known as Allegretto Grazioso, this piece was commissioned by Polish conductor and composer Henryk Debich (1921-2001) for his son.
This composition was commissioned by Karol Teutsch, Head of Chamber Band of Filharmonia Narodowa (Warsaw Philharmonic). It is one movement piece with vocalise and easy structure close to A-B-A form. It means that the piece consists of a couple of episodes where the last one is a repetition
This composition was written for the soprano singer Jadwiga Gadulanka and the Chamber Band of Filharmonia Narodowa (Warsaw Philharmonic) lead by Karol Teutsch. It is one movement piece with vocalise and easy structure close to A-B-A form. It means that the piece consists of a couple of
Cantata for four voices, choir and orchestra with lyrics from Ode To Youth (Oda do młodości) by Romantic Polish national poet Adam Mickiewicz (1978-1855). The piece was composed for the Mixed Choir Surma on its 60th anniversary. It is a modernised version of the diploma work of the composer which
The piece was written with educational needs in mind, to fill the gap between grand vituoso concertos of the past and contemporary modern and often too individualistic compositions. The piece has Polish folk elements and a classic concerto form. The first movement is built on two contrasting subjects with
This piano concert was composed specifically for a renowned Polish pianist Mr. Władysław Kędra (1918-1968), who performed the piece on numerous occasions in Poland and abroad. The piece has a classic piano concerto structure with many technically demanding elements,
This anthem was arranged for choir and orchestra with lyrics by Jan Chojnacki. Another version of this composition was written for men’s choir and piano.
Red Łódź – original title Czerwona Łódź – is a small cantata for choir and orchestra composed at the request of Łódź Singers Society (Łódzki Związek Śpiewaczy). It is a simple texture elaboration on proletariat folk aimed at amateur choirs. The name of the composition refers to the name of a street in Łódź where in […]
A cheerful and jolly one movement piece for piano and orchestra.
Transcripted for symphony orchestra. This piece was also written in transcription for chamber orchestra.
The piece was composed for violin player Mrs. Wanda Wiłkomirska. The composition has a classical form and consists of three movements. The first – Allegro ma non troppo e molto maestoso – with virtuoso cadenza. The second – Lento molto – with A-B-A structure. The third – Allegro appassionato – in rondo form.