This series of ten songs is a result of composer’s fascination with the Kurpie region folk tradition. The ten songs are: LeciaÅ‚y guÅ„saÅ„ki / Gospodarze, gospodynie / Kiedym jo zila ziónek zielóny / Chto chce / Siadoj Marys na wóz / Gdzie sie wybziros panie Nichale / Tancujze dziwcyno / U jeziorecka Read more
This series of songs is a result of composer’s fascination with Silesia region tradition and in reply to the social demand for this kind of repertoire. The ten songs are: Kaj zajada, to zajada / Na tym naszym groniu / Nie ma to takiej dziewczynie / ZakukaÅ‚a, zapÅ‚akaÅ‚a / Gwiazdeczki, gwiazdeczki / CzemużeÅ› ty Read more
The songs are for male choir and are a new arrangement of earlier compositions: Gdzie się wybziros panie Nichale / Why are you come (Pocóżeście przyjechali moi mili goście) / Pocóżeście kawalirzy przyszli / Przyślizwa tu przyśli, to nas przyzitojta.
This is a series of five songs (5 PieÅ›ni OlsztyÅ„skich): Gdy trzcina zaczyna pÅ‚owieć / A w tych borach olsztyÅ„skich / TyÅ› jest jezioro moje / A na skraju lasu / SpÅ‚ywajÄ… krople z ula – with lyrics by Konstanty Ildefons GaÅ‚czyÅ„ski.
This is choral song for three equal voices based on the poem by Polish poet Maria Konopnicka (1842-1910). It was written for the Children Choir of the State Music School No. 1 in Warsaw, directed by Mr. Zbigniew Soja.
This piano accompaniment was composed for the melody and lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical classes. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
Music for four voice mixed choir for the Polish Christmas carol A wczora z wieczora, based on a XVII century song.
This composition – a song for men’s choir – was written when composer lived in PÅ‚ock.
Adoro Te Devote is an Eucharistic song for high voice and organ composed for liturgical text of Thomas Aquinas. Mrs. Maria Wacholc described the composition in 1992 in her article as follows: “…this beautiful composition features a noble cantilena and harmonic wealth…”.
This piece – arranged for four voice mixed choir and organ – was composed for choirs from music schools of 2nd degree in Legnica, for the Organ Conservatory in 1991. It is one movement piece with latin religious lyrics. Composer used the simplest technical measures to ensure that the piece can be performed by school choirs.
The piece was composed at the request of musicology section at the Akademia Teologii Katolickiej on the 10th Anniversary of the academy Choir. The A-B-C structure uses Latin text of a Marian antiphon, which is sung between the holiday of the Presentation of Jesus in Temple and Read more
The piece composed under the nickname “Sosna”.
The song for three voice children’s choir composed at the commission of PaÅ„stwowe ZakÅ‚ady Wydawnictw Szkolnych for the Guide for a school choir leader (Przewodnik dla prowadzÄ…cego chór w szkole podstawowej). The piece is particularly suitable for a proficient amateur choir.
This is a song for three equal voices with lyrics by poet Julian Tuwim.
This is piano accompaniment to the melody and lyrics by Hanna Lachertowa. It was composed for educational purposes and is performed by both a teacher and a student. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie)  published in 1979 by WSiP.
This composition was commissioned by the Warsaw Men’s Choir Harp (Warszawski Chór MÄ™ski Towarzystwa Åšpiewaczego “Harfa”) for the 75th anniversary of the choir.The form of the piece is sequential A-B-C-D-E-F-A’ and it is an apotheosis of love to its hero city, embodiment of human virtues and Read more
This is the second version of cantata Chants of Warsaw originally composed for men’s choir and organ - Chants of Warsaw – for men’s choir and organ. This transcription of the composition was regarded by the composer as a better one because of the wider colour potential. The form of the piece is Read more
This song for was composed to illustrate the text and melody of the folk Kurpie region melody taken from the collection Kurpik. The piece was composed in the end of the 40′ of the XX century. The second version of the composition was transcripted for solo soprano and piano in 1950.
A song for solo soprano, choir and chamber orchestra aimed at amateur choirs.
Song for soprano and piano.
This song has been written in the form of motet for four men’s voices.
This is a series of five songs for soprano voice and piano – Ogrody dzieciÅ„stwa / Martwa natura / Narodziny liryki / Jeszcze kilka pieÅ›ni / Od liÅ›ci po obÅ‚oki – composed for the lyrics of WÅ‚odzimierz SÅ‚obodnik. Uniform music and the texture matching technical possibilities are characteristic for Read more
This is a series of five songs for soprano voice and piano – Ogrody dzieciÅ„stwa / Martwa natura / Narodziny liryki / Jeszcze kilka pieÅ›ni / Od liÅ›ci po obÅ‚oki – composed for the lyrics of WÅ‚odzimierz SÅ‚obodnik. Uniform music and the texture matching technical possibilities are characteristic for
this piece. Originally the piece was composed for soprano voice and piano (1961).
This is a piano accompaniment which was composed for the lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical exercises. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
This is one movement song for solo voice with piano with lyrics by the composer. Tadeusz dedicated this piece to his fiancee – Zofia Wiaczkis.
This is a song for a four voice mixed choir originally titled Alleluja, przyjdź Duchu Święty.
This is a Polish Easter song titled Alleluja, Jezus żyje in a choir arrangement.
This piano accompaniment was composed for the lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical exercises. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
This is one movement chorale for six voice mixed choir a cappella with lyrics from XVIII century Polish Lent song titled Wisi na Krzyżu Pan, Stwórca Nieba. It was highly marked by Prof. Bronislaw Rutkowski from Music Conservatory in Warsaw (Konserwatorium Warszawskie), composer’s Read more
The song was composed to help composer with his work with amateur choirs. It is a strophe based piece drawing on a folk melody from the Mazovia region of Poland. Its texture is characterised by imitation technique. The same main theme is present in all voices. The song aimed at amateur choirs.
This composition was written for the school choir lead by Mr. Zbigniew Soja in PPSM No. 1 in Warsaw. It has a ceremonial character and was written for the lyrics of poet Konstanty Ildefons Gałczyński. It features a well developed form and is an apotheosis of a common people song. This one movement piece has Read more
It has a ceremonial character and was written for the lyrics of poet Konstanty Ildefons GaÅ‚czyÅ„ski. It features a well developed form and is an apotheosis of a common people song. This one movement piece has a A-B-A’ internal structure where each section has different tempo and mood. The archetype of the piece was a song with the same title composed for mixed choir in 1953.
This piece has a ceremonial character and was written for the lyrics of poet Konstanty Ildefons Gałczyński. It features a well developed form and is an apotheosis of a common people song. This one movement piece has a A-B-A internal structure where each section has different tempo and mood. Read more
It has a ceremonial character and was written for the lyrics of poet Konstanty Ildefons Galczynski. It features a well developed form and is an apotheosis of a song for masses. This one movement piece has a A-B-A’ internal structure where each section has different tempo and mood. The archetype of the piece was a song with the same title composed for mixed choir a cappella in 1953.
The composition was written to meet the demand of national choirs for songs with a common character but with high artistic features. It has a ceremonial character and was written for the lyrics of poet Konstanty Ildefons Gałczyński. It features a well developed form and is an apotheosis of a common Read more
This is one movement song for four voice children’s choir, based on the lyrics of Konstanty Ildefons GaÅ‚czyÅ„ski, with three part A-B-A’ internal structure. The piece has a couple of versions and the archetype of the piece was a song with the same title composed for mixed choir also in 1953.
Eucharistic song for high voice and organ. Original title Ja wiem w kogo ja wierzÄ™.
This four voices song was composed at the commission of Warszawski Chór MiÄ™dzyuczelniany in Warsaw. It has a form of motet and A-B-A’ structure and was written to illustrate liturgical texts from Roman Missal that are meant to be read on the XIV Sunday after the Pentecost.
Song for solo soprano and piano composed in PÅ‚ock with lyrics from Podhale region of Poland.
Eucharistic song for high voice and organ with liturgical lyrics.
This is an Eucharistic song also known as Już gości Chrystus for high voice and organ.
One movement song for words by Alojzy FeliÅ„ski. This composition is also the second part of cantata Chants of Warsaw which was composed in two versions: for men’s choir and organ and for men’s choir and symphony orchestra.
Kurpie Triptych consists of three songs for solo voices, choir and a folk band and was commissioned by the Polish Radio. It is aimed at more experienced amateur choirs because of its technical level.
This is a song for four voice mixed choir with the lyrics of A. Fiedorowicz.
A song for baritone and a piano dedicated to the composer’s friend Feliks Rudomski.
A song for soprano voice and piano composed for lyrics of a folk song from Kurpie region. It was also written in the arrangement for mixed choir a cappella as 1st part of 10 Kurpie Songs.
One movement piece with lyrics of revolutionary song from 1909. There is also transcription for 3 voice choir and for 4 voice choir.
The author of the lyrics from 1909 is unknown. It commemorates 1905 strikes at the factories of Scheibler, Geyer and Poznański, which subsequently turned into riots leading to 2000 protesters killed and injured.
One piece movement for lyrics of revolutionary song from 1909. There is also transcription for 2 voice choir and for 4 voice choir.
The author of the lyrics from 1909 is unknown. It commemorates 1905 strikes at the factories of Scheibler, Geyer and Poznański, which subsequently turned into riots leading to 2000 protesters killed and injured.
One piece movement for lyrics of revolutionary song from 1909. There is also transcription for 2 voice choir and for 3 voice choir.
The author of the lyrics from 1909 is unknown. It commemorates 1905 strikes at the factories of Scheibler, Geyer and Poznański, which subsequently turned into riots leading to 2000 protesters killed and injured.
One movement song for four voice mixed choir a cappella.
One movement piece for the lyrics of the song Mazur Kajdaniarski, composed in 1949. The lyrics were originally written in 1886 after the trial of Proletariat group in Warsaw Citadel, which at the time was under Russian occupation. The piece was also transcripted for 3 voice choir and for 4 voice choir.
One movement piece for the lyrics of the song Mazur Kajdaniarski, composed in 1949. The lyrics were originally written in 1886 after the trial of Proletariat group in Warsaw Citadel, which at the time was under Russian occupation. The piece was also transcripted for 2 voices and for 4 voice choir.
One movement piece for the lyrics of the song Mazur Kajdaniarski, composed in 1949. The lyrics were originally written in 1886 after the trial of Proletariat group in Warsaw Citadel, which at the time was under Russian occupation. The piece was also transcripted for 2 voices and for 3 voice choir.
This is one movement song for four voices mixed choir with lyrics by Polish poet Jarosław Iwaszkiewicz (1894-1980).
Cantata for 4 voice mixed choir with lyrics by Artur Oppman. The inspiration to compose the series of songs in different rhythms and musical ambience was taken from poems of Artur Oppman. The composition consists of six songs – Po klawiszach / Czy przypominasz / Jak mazurek zuchowaty / Read more
Song for voice with piano with lyrics from Lublin region of Poland.
A one movement song for single voice and piano with lyrics by WÅ‚odzimierz SÅ‚obodnik.
Song for voice with piano with lyrics by Włodzimierz Słobodnik. Slightly modified, it was published in a collection Toast serdeczny under the title Old Town Rhymes (Rymy staromiejskie).
Orpheus in the Woods is a cantata consisting of six songs with the lyrics by Polish poet Krzysztof Kamil Baczyński (1921-1944). The contents, dramaturgy and formal arrangement of this composition is determined by the original poem and its emotions, changes of atmosphere and bright and charming poetical form. Read more
The song for three equal voices for the lyrics of Polish poet Władysław Broniewski (1897-1962).
Eucharistic song for high voice and organ.
A song for voice and piano, composed under the nickname Pantofel.
This anthem was arranged for choir and orchestra with lyrics by Jan Chojnacki. Another version of this composition was written for men’s choir and piano.
This version of the anthem was arranged for men’s choir and piano with lyrics by Jan Chojnacki. Another version of this composition was written for choir and orchestra.
The piece is a song for four voice mixed choir. It was composed at the request of father Kazimierz Szymonik for the Choir of Akademia Teologii Katolickiej in Warsaw. It is religious composition in one movement in the form of litany with lyrics by father Jan Twardowski. Pleading character – so Read more
This piano accompaniment was composed for the melody and lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical classes. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
This is a song of Virgin Mary. It was also arranged for two other choir sets.
This is a song of Virgin Mary. It was also arranged for two other choir sets.
This is a song of Virgin Mary. It was also arranged for two other choir sets.
Red Åódź – original title Czerwona Åódź – is a small cantata for choir and orchestra composed at the request of Åódź Singers Society (Åódzki ZwiÄ…zek Åšpiewaczy). It is a simple texture elaboration on proletariat folk aimed at amateur choirs.
The name of the composition refers to the name of a street in Åódź where in the mid XIX century a dyeing factory of Lange, later Geyer, was situated. Discharge from the factory was red and was flowing freely along the pavements. Hence the name of the street – Red Street. Sewage system was put in place in 1937 but the name remained.
Words of the song were likely to be written during a thatcher strike in 1932.
Six songs for four voice mixed choir for Corpus Christi. The songs are: Respexit Elias / Immolabit / Homo guidam / Mens impletur gratia / O Sacrum / Misit me vivens.
A one movement song for mixed choir and organ with lyrics from XVI century Polish song for Lent titled Rozmyślajmy dziś, wierni chrześcijanie.
A one movement song for mixed choir and organ with lyrics from XVI century Polish song for Lent titled Rozmyślajmy dziś, wierni chrześcijanie.
This is a piano accompaniment which was composed for the lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical exercises. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
Song for solo soprano and piano.
This is one movement song for four voice mixed choir using lyrics by the poet Konstanty Ildefons Gałczyński.
This piano accompaniment was composed for the melody and lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical classes. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
This piano accompaniment was composed for the melody and lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical classes. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
The song was written by the composer fascinated with the poetical expression of the poem by Polish poet Konstanty Ildefons Gałczyński (1905-1953). The music serves as an illustration for the text of the poem. Its contemplative and reflective character of the song was underlined by the use of spoken lyrics. The other version of the piece for four voice mixed choir was composed in 1993.
The song was written by the composer fascinated with the poetical expression of the poem by Polish poet Konstanty Ildefons GaÅ‚czyÅ„ski (1905-1953). The music serves as an illustration to the text of the poem. Originally the song was composed for four voice men’s choir in1968.
Compostion was written in the form of cantata as a result of fascination with poems of WÅ‚adysÅ‚aw Broniewski and consists of the following five songs – Równino mazowiecka / Rzeko piÄ™kna / Mowo polska / Nad WisÅ‚Ä… jest miasto / Warszawo, strzaskana kolumno (double fugue) – lyrics for which were taken from the poem Mazovia (Mazowsze). Read more
This is a series of songs for three voice mixed choir which was written for a young church band lead by the composer. It is an arrangement of eight well known church songs from father Jan Siedlecki’s church songbook (Åšpiewnik koÅ›cielny) for two female and one male voice. Songs are aimed at amateur choirs and are as Read more
This song for was composed for singer Lidia Skowron. It illustrates the text and melody of the folk Kurpie region melody taken from the collection Kurpik. This is the second version of the composition which was originally composed for four voice mixed choir a cappella (1948).
These two songs for six voices mixed choir were composed at the request of father Kazimierz Szymonik for the Choir of Akademia Teologii Katolickiej in Warsaw. Compositions were inspired by the lyrics of Karol Wojtyła (future pope John Paul II) taken from the collection of poems Myśląc Ojczyzna. Read more
This is one movement song for three voice children’s choir with irregular structure with lyrics by Polish poet WÅ‚adysÅ‚aw Broniewski (1987-1962), composed at the comision of PaÅ„stwowe Wydawnictwa Muzyczne PWM for The Guide for Primary School Choir Master (Przewodnik dla prowadzÄ…cego Read more
This song was dedicated to and composed at the commission of the Warsaw Choir Surma. The piece has a form of motet with the A-B-C-A’ structure and lyrics by the Polish Renaissance poet Jan Kochanowski (1530-1584). The composer applied elements typical for a Renaissance choir to match the Renaissance lyrics.
Published in Bibliotka Organisty No. 2 in 1957.
Published in Bibliotka Organisty No. 2 in 1957.
Published in Bibliotka Organisty No. 2 in 1957.
This song is in the form of motet for four voice men’s choir.
This composition was written for music school choirs from Legnica. It is one movement piece with Polish religious lyrics. Composer applied the simplest technical measures to ensure that the composition can be performed by school choirs.
This piece was composed at the commission of PaÅ„stwowe ZakÅ‚ady Wydawnictw Szkolnych for the guide Przewodnika dla prowadzÄ…cego chór w szkole podstawowej. It is a song for three voice mixed choir with lyrics by Konstanty Ildefons GaÅ‚czyÅ„ski. It has simple texture and is aimed for highly skilled children’s choir.
The piece composed as a result of composer’s fascination with poems of WÅ‚adysÅ‚aw Broniewski. Lyrics were taken from the lyrical poem titled Vistula (WisÅ‚a).
This composition is a song for three voice female choir or children’s choir with lyrics by Polish poet Julian Tuwim (1894-1953). It was written to meet the needs of the school choir lead by Mr. Zbigniew Soja in PPSM Nr 1 (state music school no. 1) in Warsaw.
The piece consists of three songs for four voice mixed choir and was composed at the commission of Warsaw Mixed Choir Surma (Warszawski Chór Mieszany Surma). Lyrics by three poets were used in the composition: Warszawo w mur potężna by Zygmunt Laukowski, Będziemy znowu mieszkać by Read more
The song is based on the folk Kurpie song for choirs lead by the composer. It is an artistic arrangement of three folk songs from the collection of father Władysław Skierkowski titled Puszcza Kurpiowska w pieśni and published by Towarzystwo Naukowe Płockie in Płock in 1928. The internal Read more
Christmas carol with lyrics by Zofia Mordawska.
Christmas carol with lyrics by Zofia Mordawska.
Christmas carol with lyrics by Zofia Mordawska.
One movement song for two voices choir. It was also transcripted for 3 voice mixed choir and for 4 voice mixed choir.
One movement song for 3 voice mixed choir. It was also transcripted for 2 voices and for 4 voice mixed choir.
One movement song for 4 voices mixed choir. It was also transcripted for 2 voices and for 3 voice mixed choir.
A song for a voice with piano composed under the nickname “Prom”.
A ballad for baritone voice and piano commissioned by and with lyrics by Jerzy Sergiusz Adamczewski. The second version of the piece was transcripted for soprano, baritone and piano.
A one movement ballad for soprano, baritone and piano. The original piece was composed for baritone and piano in 1974.