This series of ten songs is a result of composer’s fascination with the Kurpie region folk tradition. The ten songs are: Leciały guńsańki / Gospodarze, gospodynie / Kiedym jo zila ziónek zielóny / Chto chce / Siadoj Marys na wóz / Gdzie sie wybziros panie Nichale / Tancujze dziwcyno / U jeziorecka Read more →
This series of songs is a result of composer’s fascination with Silesia region tradition and in reply to the social demand for this kind of repertoire. The ten songs are: Kaj zajada, to zajada / Na tym naszym groniu / Nie ma to takiej dziewczynie / Zakukała, zapłakała / Gwiazdeczki, gwiazdeczki / Czemużeś ty Read more →
The songs are for male choir and are a new arrangement of earlier compositions: Gdzie się wybziros panie Nichale / Why are you come (Pocóżeście przyjechali moi mili goście) / Pocóżeście kawalirzy przyszli / Przyślizwa tu przyśli, to nas przyzitojta.
This is choral song for three equal voices based on the poem by Polish poet Maria Konopnicka (1842-1910). It was written for the Children Choir of the State Music School No. 1 in Warsaw, directed by Mr. Zbigniew Soja.
Music for four voice mixed choir for the Polish Christmas carol A wczora z wieczora, based on a XVII century song.
This composition – a song for men’s choir – was written when composer lived in Płock.
The piece was composed at the request of musicology section at the Akademia Teologii Katolickiej on the 10th Anniversary of the academy Choir. The A-B-C structure uses Latin text of a Marian antiphon, which is sung between the holiday of the Presentation of Jesus in Temple and Read more →
The song for three voice children’s choir composed at the commission of Państwowe Zakłady Wydawnictw Szkolnych for the Guide for a school choir leader (Przewodnik dla prowadzącego chór w szkole podstawowej). The piece is particularly suitable for a proficient amateur choir.
This is a song for three equal voices with lyrics by poet Julian Tuwim.
This is an initial sketch of a piece for five voices mixed choir that was never finished.
This song for was composed to illustrate the text and melody of the folk Kurpie region melody taken from the collection Kurpik. The piece was composed in the end of the 40′ of the XX century. The second version of the composition was transcripted for solo soprano and piano in 1950.
This song has been written in the form of motet for four men’s voices.
This is a song for a four voice mixed choir originally titled Alleluja, przyjdź Duchu Święty.
This is a Polish Easter song titled Alleluja, Jezus żyje in a choir arrangement.
This is one movement chorale for six voice mixed choir a cappella with lyrics from XVIII century Polish Lent song titled Wisi na Krzyżu Pan, Stwórca Nieba. It was highly marked by Prof. Bronislaw Rutkowski from Music Conservatory in Warsaw (Konserwatorium Warszawskie), composer’s Read more →
The song was composed to help composer with his work with amateur choirs. It is a strophe based piece drawing on a folk melody from the Mazovia region of Poland. Its texture is characterised by imitation technique. The same main theme is present in all voices. The song aimed at amateur choirs.
This composition was written for the school choir lead by Mr. Zbigniew Soja in PPSM No. 1 in Warsaw. It has a ceremonial character and was written for the lyrics of poet Konstanty Ildefons Gałczyński. It features a well developed form and is an apotheosis of a common people song. This one movement piece has Read more →
It has a ceremonial character and was written for the lyrics of poet Konstanty Ildefons Gałczyński. It features a well developed form and is an apotheosis of a common people song. This one movement piece has a A-B-A’ internal structure where each section has different tempo and mood. The archetype of the piece was a song with the same title composed for mixed choir in 1953.
This piece has a ceremonial character and was written for the lyrics of poet Konstanty Ildefons Gałczyński. It features a well developed form and is an apotheosis of a common people song. This one movement piece has a A-B-A internal structure where each section has different tempo and mood. Read more →
This is one movement song for four voice children’s choir, based on the lyrics of Konstanty Ildefons Gałczyński, with three part A-B-A’ internal structure. The piece has a couple of versions and the archetype of the piece was a song with the same title composed for mixed choir also in 1953.
This four voices song was composed at the commission of Warszawski Chór Międzyuczelniany in Warsaw. It has a form of motet and A-B-A’ structure and was written to illustrate liturgical texts from Roman Missal that are meant to be read on the XIV Sunday after the Pentecost.
One movement song for words by Alojzy Feliński. This composition is also the second part of cantata Chants of Warsaw which was composed in two versions: for men’s choir and organ and for men’s choir and symphony orchestra.
This is a song for four voice mixed choir with the lyrics of A. Fiedorowicz.
One movement piece with lyrics of revolutionary song from 1909. There is also transcription for 3 voice choir and for 4 voice choir.
The author of the lyrics from 1909 is unknown. It commemorates 1905 strikes at the factories of Scheibler, Geyer and Poznański, which subsequently turned into riots leading to 2000 protesters killed and injured.
One piece movement for lyrics of revolutionary song from 1909. There is also transcription for 2 voice choir and for 4 voice choir.
The author of the lyrics from 1909 is unknown. It commemorates 1905 strikes at the factories of Scheibler, Geyer and Poznański, which subsequently turned into riots leading to 2000 protesters killed and injured.
One piece movement for lyrics of revolutionary song from 1909. There is also transcription for 2 voice choir and for 3 voice choir.
The author of the lyrics from 1909 is unknown. It commemorates 1905 strikes at the factories of Scheibler, Geyer and Poznański, which subsequently turned into riots leading to 2000 protesters killed and injured.
One movement song for four voice mixed choir a cappella.
One movement piece for the lyrics of the song Mazur Kajdaniarski, composed in 1949. The lyrics were originally written in 1886 after the trial of Proletariat group in Warsaw Citadel, which at the time was under Russian occupation. The piece was also transcripted for 3 voice choir and for 4 voice choir.
One movement piece for the lyrics of the song Mazur Kajdaniarski, composed in 1949. The lyrics were originally written in 1886 after the trial of Proletariat group in Warsaw Citadel, which at the time was under Russian occupation. The piece was also transcripted for 2 voices and for 4 voice choir.
One movement piece for the lyrics of the song Mazur Kajdaniarski, composed in 1949. The lyrics were originally written in 1886 after the trial of Proletariat group in Warsaw Citadel, which at the time was under Russian occupation. The piece was also transcripted for 2 voices and for 3 voice choir.
This is one movement song for four voices mixed choir with lyrics by Polish poet Jarosław Iwaszkiewicz (1894-1980).
Cantata for 4 voice mixed choir with lyrics by Artur Oppman. The inspiration to compose the series of songs in different rhythms and musical ambience was taken from poems of Artur Oppman. The composition consists of six songs – Po klawiszach / Czy przypominasz / Jak mazurek zuchowaty / Read more →
Orpheus in the Woods is a cantata consisting of six songs with the lyrics by Polish poet Krzysztof Kamil Baczyński (1921-1944). The contents, dramaturgy and formal arrangement of this composition is determined by the original poem and its emotions, changes of atmosphere and bright and charming poetical form. Read more →
The song for three equal voices for the lyrics of Polish poet Władysław Broniewski (1897-1962).
The piece is a song for four voice mixed choir. It was composed at the request of father Kazimierz Szymonik for the Choir of Akademia Teologii Katolickiej in Warsaw. It is religious composition in one movement in the form of litany with lyrics by father Jan Twardowski. Pleading character – so Read more →
This is a song of Virgin Mary. It was also arranged for two other choir sets.
This is a song of Virgin Mary. It was also arranged for two other choir sets.
This is a song of Virgin Mary. It was also arranged for two other choir sets.
Six songs for four voice mixed choir for Corpus Christi. The songs are: Respexit Elias / Immolabit / Homo guidam / Mens impletur gratia / O Sacrum / Misit me vivens.
This is one movement song for four voice mixed choir using lyrics by the poet Konstanty Ildefons Gałczyński.
The song was written by the composer fascinated with the poetical expression of the poem by Polish poet Konstanty Ildefons Gałczyński (1905-1953). The music serves as an illustration for the text of the poem. Its contemplative and reflective character of the song was underlined by the use of spoken lyrics. The other version of the piece for four voice mixed choir was composed in 1993.
The song was written by the composer fascinated with the poetical expression of the poem by Polish poet Konstanty Ildefons Gałczyński (1905-1953). The music serves as an illustration to the text of the poem. Originally the song was composed for four voice men’s choir in1968.
For mixed choir a capella. For liturgical texts.
Compostion was written in the form of cantata as a result of fascination with poems of Władysław Broniewski and consists of the following five songs – Równino mazowiecka / Rzeko piękna / Mowo polska / Nad Wisłą jest miasto / Warszawo, strzaskana kolumno (double fugue) – lyrics for which were taken from the poem Mazovia (Mazowsze). Read more →
This is a series of songs for three voice mixed choir which was written for a young church band lead by the composer. It is an arrangement of eight well known church songs from father Jan Siedlecki’s church songbook (Śpiewnik kościelny) for two female and one male voice. Songs are aimed at amateur choirs and are as Read more →
These two songs for six voices mixed choir were composed at the request of father Kazimierz Szymonik for the Choir of Akademia Teologii Katolickiej in Warsaw. Compositions were inspired by the lyrics of Karol Wojtyła (future pope John Paul II) taken from the collection of poems Myśląc Ojczyzna. Read more →
This is one movement song for three voice children’s choir with irregular structure with lyrics by Polish poet Władysław Broniewski (1987-1962), composed at the comision of Państwowe Wydawnictwa Muzyczne PWM for The Guide for Primary School Choir Master (Przewodnik dla prowadzącego Read more →
This song was dedicated to and composed at the commission of the Warsaw Choir Surma. The piece has a form of motet with the A-B-C-A’ structure and lyrics by the Polish Renaissance poet Jan Kochanowski (1530-1584). The composer applied elements typical for a Renaissance choir to match the Renaissance lyrics.
Published in Bibliotka Organisty No. 2 in 1957.
Published in Bibliotka Organisty No. 2 in 1957.
Published in Bibliotka Organisty No. 2 in 1957.
This song is in the form of motet for four voice men’s choir.
This piece was composed at the commission of Państwowe Zakłady Wydawnictw Szkolnych for the guide Przewodnika dla prowadzącego chór w szkole podstawowej. It is a song for three voice mixed choir with lyrics by Konstanty Ildefons Gałczyński. It has simple texture and is aimed for highly skilled children’s choir.
The piece composed as a result of composer’s fascination with poems of Władysław Broniewski. Lyrics were taken from the lyrical poem titled Vistula (Wisła).
This composition is a song for three voice female choir or children’s choir with lyrics by Polish poet Julian Tuwim (1894-1953). It was written to meet the needs of the school choir lead by Mr. Zbigniew Soja in PPSM Nr 1 (state music school no. 1) in Warsaw.
The piece consists of three songs for four voice mixed choir and was composed at the commission of Warsaw Mixed Choir Surma (Warszawski Chór Mieszany Surma). Lyrics by three poets were used in the composition: Warszawo w mur potężna by Zygmunt Laukowski, Będziemy znowu mieszkać by Read more →
The song is based on the folk Kurpie song for choirs lead by the composer. It is an artistic arrangement of three folk songs from the collection of father Władysław Skierkowski titled Puszcza Kurpiowska w pieśni and published by Towarzystwo Naukowe Płockie in Płock in 1928. The internal Read more →
One movement song for two voices choir. It was also transcripted for 3 voice mixed choir and for 4 voice mixed choir.
One movement song for 3 voice mixed choir. It was also transcripted for 2 voices and for 4 voice mixed choir.
One movement song for 4 voices mixed choir. It was also transcripted for 2 voices and for 3 voice mixed choir.