These two psalms with lyrics adapted by Polish poet Leopold Staff (1878-1957) are both David’s Psalms – no. 141 Voce mea ad Dominum and no. 150 Laudate Dominum – and were commissioned by Stanisław Moryto for the VIII Organ Festival in Koszalin. The music both in vocal and organ part is influenced
This is a series of five songs (5 Pieśni Olsztyńskich): Gdy trzcina zaczyna płowieć / A w tych borach olsztyńskich / Tyś jest jezioro moje / A na skraju lasu / Spływają krople z ula – with lyrics by Konstanty Ildefons Gałczyński.
The piece was composed for the band Capella Bydgostiensis, performing in Filharmonia Pomorska im. Ignacego Jana Paderewskiego (Pomeranian Philharmonic) in Bydgoszcz. The composition is in a form of small cantata with lyrics from a fable by Jean de La Fontaine (1621-1695) in translation by
This piano accompaniment was composed for the melody and lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical classes. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. Dźwięk. Klawisz – Początki gry na fortepianie) published […]
Adoro Te Devote is an Eucharistic song for high voice and organ composed for liturgical text of Thomas Aquinas. Mrs. Maria Wacholc described the composition in 1992 in her article as follows: “…this beautiful composition features a noble cantilena and harmonic wealth…”.
This is the second version of the piece written in 1991 and this one is arranged for four voice mixed choir, violin, violoncello and organ.
This piece – arranged for four voice mixed choir and organ – was composed for choirs from music schools of 2nd degree in Legnica, for the Organ Conservatory in 1991. It is one movement piece with latin religious lyrics. Composer used the simplest technical measures to ensure that the piece can be performed by school […]
The piece composed under the nickname “Sosna”.
This is piano accompaniment to the melody and lyrics by Hanna Lachertowa. It was composed for educational purposes and is performed by both a teacher and a student. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. Dźwięk. Klawisz – Początki gry na fortepianie) published in 1979 by […]
This composition was commissioned by the Warsaw Men’s Choir Harp (Warszawski Chór Męski Towarzystwa Śpiewaczego “Harfa”) for the 75th anniversary of the choir.The form of the piece is sequential A-B-C-D-E-F-A’ and it is an apotheosis of love to its hero city, embodiment of human virtues and