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The piece was composed for the band Capella Bydgostiensis, performing in Filharmonia Pomorska im. Ignacego Jana Paderewskiego (Pomeranian Philharmonic) in Bydgoszcz. The composition is in a form of small cantata with lyrics from a fable by Jean de La Fontaine (1621-1695) in translation by
The piece was composed on the 30th anniversary of composer’s educational and composer work. The archetype for the composition is Sonatina for Bassoon and Piano (1953).
This two movement composition was written at the commission of Mr. Andrzej Wróbel, director of the band Camerata Vistula. Both quintets are in intermittent  dialogue.
The piece is composer’s tribute to French impressionists and has a lot of stylistic allusions referring to them. This composition was later transcripted for piano and five wind instruments as Music for Piano, Flute, Oboe, Clarinet, Horn and Bassoon (1972).
Initially the piece was composed for harp as Music for Harp, Flute, Oboe, Clarinet, Horn and Bassoon in 1963.
Also known as Chamber Music for 10 instruments.
The piece was commisioned by the Wind Quintet of the Polish Radio and TV in Katowice.
This composition is a quintet for flute,oboe, clarinet, horn and bassoon also known as Quintet for 5 Wind Instruments. It was dedicated to the composer’s professor, distinguished teacher and Polish composer Kazimierz Sikorski (1895-1986).
Five movement composition for oboe, clarinet and bassoon written at the commission of Mr. Benedykt Górecki, Head of Chamber Wind Instruments Class in PWSM in Warsaw. Contrasting tempo and texture is at the basis of creating emotion and narrative features in all movements with intermittent
The piece was composed for the Competition of Stage and Chamber Music in 1953. Composer was presented with the 2nd Award. The piece was also transcripted as Concertino for Bassoon and Wind Band (1974) and for double base and piano by Tadeusz Pelczar as Allegro scherzando from Sonatina for Basson and Piano in 1976.