These two psalms with lyrics adapted by Polish poet Leopold Staff (1878-1957) are both David’s Psalms – no. 141 Voce mea ad Dominum and no. 150 Laudate Dominum – and were commissioned by StanisÅ‚aw Moryto for the VIII Organ Festival in Koszalin. The music both in vocal and organ part is influenced Read more
This is a series of five songs (5 PieÅ›ni OlsztyÅ„skich): Gdy trzcina zaczyna pÅ‚owieć / A w tych borach olsztyÅ„skich / TyÅ› jest jezioro moje / A na skraju lasu / SpÅ‚ywajÄ… krople z ula – with lyrics by Konstanty Ildefons GaÅ‚czyÅ„ski.
This piano accompaniment was composed for the melody and lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical classes. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
Adoro Te Devote is an Eucharistic song for high voice and organ composed for liturgical text of Thomas Aquinas. Mrs. Maria Wacholc described the composition in 1992 in her article as follows: “…this beautiful composition features a noble cantilena and harmonic wealth…”.
The piece composed under the nickname “Sosna”.
A song for solo soprano, choir and chamber orchestra aimed at amateur choirs.
This piano accompaniment was composed for the lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical calsses. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
Song for soprano and piano.
This is a series of five songs for soprano voice and piano – Ogrody dzieciÅ„stwa / Martwa natura / Narodziny liryki / Jeszcze kilka pieÅ›ni / Od liÅ›ci po obÅ‚oki – composed for the lyrics of WÅ‚odzimierz SÅ‚obodnik. Uniform music and the texture matching technical possibilities are characteristic for Read more
This is a series of five songs for soprano voice and piano – Ogrody dzieciÅ„stwa / Martwa natura / Narodziny liryki / Jeszcze kilka pieÅ›ni / Od liÅ›ci po obÅ‚oki – composed for the lyrics of WÅ‚odzimierz SÅ‚obodnik. Uniform music and the texture matching technical possibilities are characteristic for
this piece. Originally the piece was composed for soprano voice and piano (1961).
This is a piano accompaniment which was composed for the lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical exercises. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
This piano accompaniment was composed for the lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical exercises. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
Eucharistic song for high voice and organ. Original title Ja wiem w kogo ja wierzÄ™.
Song for solo soprano and piano composed in PÅ‚ock with lyrics from Podhale region of Poland.
Eucharistic song for high voice and organ with liturgical lyrics.
This is an Eucharistic song also known as Już gości Chrystus for high voice and organ.
This piano accompaniment was composed for the lyrics of Hanna Lachertowa for educational purposes. It is a one movement piece performed both by a teacher and a student during musical exercises. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
A song for soprano voice and piano composed for lyrics of a folk song from Kurpie region. It was also written in the arrangement for mixed choir a cappella as 1st part of 10 Kurpie Songs.
This composition was commissioned by Karol Teutsch, Head of Chamber Band of Filharmonia Narodowa (Warsaw Philharmonic). It is one movement piece with vocalise and easy structure close to A-B-A form. It means that the piece consists of a couple of episodes where the last one is a repetition Read more
This composition was written for the soprano singer Jadwiga Gadulanka and the Chamber Band of Filharmonia Narodowa (Warsaw Philharmonic) lead by Karol Teutsch. It is one movement piece with vocalise and easy structure close to A-B-A form. It means that the piece consists of a couple of Read more
Eucharistic song for high voice and organ.
This piano accompaniment was composed for the melody and lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical classes. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
Song for solo soprano and piano.
This piano accompaniment was composed for the melody and lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical classes. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
This piano accompaniment was composed for the melody and lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical classes. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
This song for was composed for singer Lidia Skowron. It illustrates the text and melody of the folk Kurpie region melody taken from the collection Kurpik. This is the second version of the composition which was originally composed for four voice mixed choir a cappella (1948).
A one movement ballad for soprano, baritone and piano. The original piece was composed for baritone and piano in 1974.