Warsaw Triptych

The piece consists of three songs for four voice mixed choir and was composed at the commission of Warsaw Mixed Choir Surma (Warszawski Chór Mieszany Surma). Lyrics by three poets were used in the composition: Warszawo w mur potężna by Zygmunt Laukowski, Będziemy znowu mieszkać by Read more

Brothers in Fate

This is a song for three equal voices with lyrics by poet Julian Tuwim.

Soldier’s Dream

This is one movement song for four voice mixed choir using lyrics by the poet Konstanty Ildefons Gałczyński.

Responsoria for Corpus Christi

Six songs for four voice mixed choir for Corpus Christi. The songs are: Respexit Elias / Immolabit / Homo guidam / Mens impletur gratia / O Sacrum / Misit me vivens.

PrzeÅ›liczna Panno – for 4 voice choir

This is a song of Virgin Mary. It was also arranged for two other choir sets.

PrzeÅ›liczna Panno – for 3 voice choir

This is a song of Virgin Mary. It was also arranged for two other choir sets.

PrzeÅ›liczna Panno – for 2 voice choir

This is a song of Virgin Mary. It was also arranged for two other choir sets.

Why are you come – for 4 voice men’s choir

The song is based on the folk Kurpie song for choirs lead by the composer. It is an artistic arrangement of three folk songs from the collection of father Władysław Skierkowski titled Puszcza Kurpiowska w pieśni and published by Towarzystwo Naukowe Płockie in Płock in 1928. The internal Read more

Song about Soldiers of Westerplatte – for 4 voice mixed choir

The song was written by the composer fascinated with the poetical expression of the poem by Polish poet Konstanty Ildefons GaÅ‚czyÅ„ski (1905-1953). The music serves as an illustration to the text of the poem. Originally the song was composed for four voice men’s choir in1968.

Song about Soldiers of Westerplatte – for 4 voice men’s choir

The song was written by the composer fascinated with the poetical expression of the poem by Polish poet Konstanty Ildefons Gałczyński (1905-1953). The music serves as an illustration for the text of the poem. Its contemplative and reflective character of the song was underlined by the use of spoken lyrics. The other version of the piece for four voice mixed choir was composed in 1993.