The piece was composed for the band Capella Bydgostiensis, performing in Filharmonia Pomorska im. Ignacego Jana Paderewskiego (Pomeranian Philharmonic) in Bydgoszcz. The composition is in a form of small cantata with lyrics from a fable by Jean de La Fontaine (1621-1695) in translation by Read more →
The piece was composed for the composer’s granddaughter and his son Artur.
This one movement piece was composed at the commission of Organ Conversatory in Legnica. It was also transcripted for piano as Aria for Viola and Piano.
This one movement piece is a transcription of Aria for Viola and Organ for piano.
Also known as Concerto for Viola. This composition was written for the composer’s son, viola player Artur Paciorkiewicz. It is a virtuoso cheerful three movement piece. The first movement – Allegro deciso – is based on two clearly contrasting theme groups. The second one has a regular three-part form. Read more →
The piece was composed for viola player Artur Paciorkiewicz (composer’s son) and organist Joachim Grubich.
Both fugues from Contrapunctus XVIII, Die Kunst der Fuge (BWV 1080) by J. S. Bach were originally composed for 2 hapsichords. The composer transcripted the original for the string quartet.
This two movement composition was written at the commission of Mr. Andrzej Wróbel, director of the band Camerata Vistula. Both quintets are in intermittent dialogue.
The piece was dedicated to the composer’s son. The first version was composed for clarinet in 1973 – Concerto Duo for Clarinet and Piano.
The piece was composed for the flute player Mrs. Elżbieta Gajewska and Wilanow Quartet in 1974. However personal changes in the Quartet delayed the work and it was finally finished in 1988. It is a composition in the sonata form with three contrasting movements. Read more →
This three movement composition with the form close to sonata was written for the Warsaw Piano Quintet. The movements are contrasting. The first one is a free form of sonata allegro and features thematic dualism, develpoment and reprise. The second movement has a peaceful character. Each repetition Read more →
The writing of this piece was inspired by and dedicated to composer’s son Artur. It is cyclical, four movements piece composed with the intention of giving the artist an opportunity for a rich expression based on the virtuoso skill set. Each of the movements was composed with contrast of all form elements at its base. The piece Read more →
Also known as Chamber Music for 10 instruments.
This is transcription of the anthem for a string quartet written for the Kwartet Varsovia.
This is a popular Polish Christmas carol transcripted by the composer for violin and two violas for his son Artur, his wife Maria and their daughter Katarzyna.
The composition was written at the request of composer’s son Artur Paciorkiewicz. It is built of three contrasting movements.
Initially composed for two violins as Sonatina for Two Solo Violins in 1955. This viola version is no different than the original but performed by the perfect fifth lower. The idea of performing the original sonatina on two violas was suggested by Artur Paciorkiewicz, composer’s son and it was recorded in Polish Radio in duo with Stefan Kamasa.
The piece was composed for the Warsaw Harp Trio: Mrs. Elżbieta Dastych – flute, Mr. Artur Paciorkiewicz – viola and Urszula Mazurek – harp. It is a virtuoso composition written for three equally treated instruments. It is composer’s tribute and expression of fascination with Baroque music, giving both the Read more →
This is a transcription of the traditional Polish Christmas carol When the Christ is Born (Gdy się Chrystus Rodzi) for viola and two violas for the composer’s son Artur, his wife Maria and their daughter Katarzyna.