After the Fall
This is an organ accompaniment for a song After the Fall (Po upadku). It was published in Biblioteka Organisty No. 2 and 3 in 1957.
This is an organ accompaniment for a song After the Fall (Po upadku). It was published in Biblioteka Organisty No. 2 and 3 in 1957.
This composition is a transcription of Ave verum corpus in D major (KV 618) by W. A. Mozart for three pianos, written at the request of Prof. Regina Smendzianka, Head of the  II Piano Department in The Fryderic Chopin University of Music in Warsaw. THe original Mozart’s composition is a motet for four voice mixed choir, strings and organ.
Bóg się Rodzi is a Polish Christmas carol transcripted by the composer for organ.
This is an organ accompaniment for a church song Boże wieczny.
This is a transcription of Cadence (I) from the Concerto D minor No. 2 (RV 394) by Antonio Vivaldi for viola d’amore. It was written for the composer’s son for his naming day in1986 (naming days are more often celebrated in Poland than birthdays).
This is a transcription of Cadence (II) from the Concerto D minor No. 2 (RV 394) by Antonio Vivaldi for viola d’amore. It was written for the composer’s son for his naming day in1986 (naming days are more often celebrated in Poland than birthdays).
This is transcription of Ciaccona from the 2nd Partita D minor by J. S. Bach (BWV 1004) for violin and strings, written at the commission of Tadeusz Ochlewski, Head of Chamber Orchestra Con moto ma cantabile. Original Ciaccona was written by Bach for solo violin. Read more
Both fugues from Contrapunctus XVIII, Die Kunst der Fuge (BWV 1080) by J. S. Bach were originally composed for 2 hapsichords. The composer transcripted the original for the string quartet.
This is a collection of 26 exercises in harmony. Written between 1965 and 1981.
This is a collection of 51 exercises written between 1977 and 1980.
This is organ accompaniment to the church song Niechaj będzie pochwalony.
This is organ accompaniment to the church song Niechaj będzie pochwalony.
This is one of three transcriptions of the anthem which were commissioned for Polish Composers Association (Związek Kompozytorów Polskich). Instrumentations for wind bands were based on the score for symphony orchestra by Jan Maklakiewicz.
This is one of three transcriptions of the anthem which were commissioned of Polish Composers Association (Związek Kompozytorów Polskich). Instrumentations for wind bands were based on the score for symphony orchestra by Jan Maklakiewicz.
This is one of three transcriptions of the anthem which were commissioned of Polish Composers Association (Związek Kompozytorów Polskich). Instrumentations for wind bands were based on the score for symphony orchestra by Jan Maklakiewicz.
This is transcription of the anthem for a string quartet written for the Kwartet Varsovia.
This is a popular Polish Christmas carol transcripted by the composer for violin and two violas for his son Artur, his wife Maria and their daughter Katarzyna.
Symphonia de Nativitate by Polish anonymous from 1759 is a reconstruction for a string band. The composition was reconstructed at the request of Tadeusz Ochlewski, Director of PWM and Head of the band Con moto ma cantabile. Based on the remains of orchestra scores and autographs from the middle of XVIII century, the composer created entirely new composition, but in the style and spirit of the time.
This is the arrangement of Thai National Anthem for symphony orchestra commissioned by Warsaw Philharmonic (at the time National Philharmonic).
This is an organ accompaniment for the traditional Polish Christmas carol When the Christ is Born (Gdy siÄ™ Chrystus Rodzi).
This is a transcription of the traditional Polish Christmas carol When the Christ is Born (Gdy siÄ™ Chrystus Rodzi) for viola and two violas for the composer’s son Artur, his wife Maria and their daughter Katarzyna.
This is organ accompaniment for a Christmas carol Wise Men (Mędrcy Świata).