Song about Soldiers of Westerplatte – for 4 voice men’s choir

Duration: 5'
Movements: Lento lugubre
Instrumentation: coro (2T2B)
Composed in: 1968

The song was written by the composer fascinated with the poetical expression of the poem by Polish poet Konstanty Ildefons Gałczyński (1905-1953). The music serves as an illustration for the text of the poem. Its contemplative and reflective character of the song was underlined by the use of spoken lyrics. The other version of the […]

Songs of Mazovia, Vistula and Warsaw

Duration: 18'
Movements: Równino mazowiecka / Rzeko piękna / Mowo polska / Nad Wisłą jest miasto / Warszawo, strzaskana kolumno
Instrumentation: coro (SATB)
Composed in: 1952

Compostion was written in the form of cantata as a result of fascination with poems of Władysław Broniewski and consists of the following five songs – Równino mazowiecka / Rzeko piękna / Mowo polska / Nad Wisłą jest miasto / Warszawo, strzaskana kolumno (double fugue) – lyrics for which were taken from the poem Mazovia […]

Songs of the Virigin Mary

Duration: 14'30''
Instrumentation: coro (SAB)
Composed in: 1947

This is a series of songs for three voice mixed choir which was written for a young church band lead by the composer. It is an arrangement of eight well known church songs from father Jan Siedlecki’s church songbook (Śpiewnik kościelny) for two female and one male voice. Songs are aimed at amateur choirs and […]

Thinking Homeland

Duration: 5'
Instrumentation: coro (2S2ATB)
Composed in: 1982

These two songs for six voices mixed choir were composed at the request of father Kazimierz Szymonik for the Choir of Akademia Teologii Katolickiej in Warsaw. Compositions were inspired by the lyrics of Karol Wojtyła (future pope John Paul II) taken from the collection of poems Myśląc Ojczyzna.

To the Warsaw Bridge

Duration: 4'
Instrumentation: coro (SATB)
Composed in: 1978

This song was dedicated to and composed at the commission of the Warsaw Choir Surma. The piece has a form of motet with the A-B-C-A’ structure and lyrics by the Polish Renaissance poet Jan Kochanowski (1530-1584). The composer applied elements typical for a Renaissance choir to match the Renaissance lyrics.