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2 Psalms

Duration: 7'
Movements: Głos mój woła do Pana / Chwalcie Boga
Instrumentation: S(T) org
Composed in: 1974

These two psalms with lyrics adapted by Polish poet Leopold Staff (1878-1957) are both David’s Psalms – no. 141 Voce mea ad Dominum and no. 150 Laudate Dominum – and were commissioned by StanisÅ‚aw Moryto for the VIII Organ Festival in Koszalin. The music both in vocal and organ part is influenced Read more

5 Olsztyn Songs – for high voice and piano

Duration: 5'
Movements: Gdy trzcina zaczyna płowieć / A w tych borach olsztyńskich / Tyś jest jezioro moje / A na skraju lasu / Spływają krople z ula
Instrumentation: S pft
Composed in: 1990

This is a series of five songs (5 PieÅ›ni OlsztyÅ„skich): Gdy trzcina zaczyna pÅ‚owieć / A w tych borach olsztyÅ„skich / TyÅ› jest jezioro moje / A na skraju lasu / SpÅ‚ywajÄ… krople z ula – with lyrics by Konstanty Ildefons GaÅ‚czyÅ„ski.

 

Adoro Te Devote

Duration: 4'
Instrumentation: S org
Composed in: 1986

Adoro Te Devote is an Eucharistic song for high voice and organ composed for liturgical text of Thomas Aquinas. Mrs. Maria Wacholc described the composition in 1992 in her article as follows: “…this beautiful composition features a noble cantilena and harmonic wealth…”.

Earth’s Burden – for solo soprano and piano

Duration: 10'
Instrumentation: S pft
Composed in: 1961

This is a series of five songs for soprano voice and piano – Ogrody dzieciÅ„stwa / Martwa natura / Narodziny liryki / Jeszcze kilka pieÅ›ni / Od liÅ›ci po obÅ‚oki – composed for the lyrics of WÅ‚odzimierz SÅ‚obodnik. Uniform music and the texture matching technical possibilities are characteristic for Read more

Earth’s Burden – for solo soprano and orchestra

Duration: 10'
Instrumentation: S 1121 2000 ar archi
Composed in: 1967

This is a series of five songs for soprano voice and piano – Ogrody dzieciÅ„stwa / Martwa natura / Narodziny liryki / Jeszcze kilka pieÅ›ni / Od liÅ›ci po obÅ‚oki – composed for the lyrics of WÅ‚odzimierz SÅ‚obodnik. Uniform music and the texture matching technical possibilities are characteristic forthis piece. Originally the piece was composed for soprano voice and piano (1961).