This series of ten songs is a result of composer’s fascination with the Kurpie region folk tradition. The ten songs are: LeciaÅ‚y guÅ„saÅ„ki / Gospodarze, gospodynie / Kiedym jo zila ziónek zielóny / Chto chce / Siadoj Marys na wóz / Gdzie sie wybziros panie Nichale / Tancujze dziwcyno / U jeziorecka Read more
This series of songs is a result of composer’s fascination with Silesia region tradition and in reply to the social demand for this kind of repertoire. The ten songs are: Kaj zajada, to zajada / Na tym naszym groniu / Nie ma to takiej dziewczynie / ZakukaÅ‚a, zapÅ‚akaÅ‚a / Gwiazdeczki, gwiazdeczki / CzemużeÅ› ty Read more
These two psalms with lyrics adapted by Polish poet Leopold Staff (1878-1957) are both David’s Psalms – no. 141 Voce mea ad Dominum and no. 150 Laudate Dominum – and were commissioned by StanisÅ‚aw Moryto for the VIII Organ Festival in Koszalin. The music both in vocal and organ part is influenced Read more
The songs are for male choir and are a new arrangement of earlier compositions: Gdzie się wybziros panie Nichale / Why are you come (Pocóżeście przyjechali moi mili goście) / Pocóżeście kawalirzy przyszli / Przyślizwa tu przyśli, to nas przyzitojta.
There is not much information about these compositions other than that all five are individual separate compositions for piano. Each of them is two minutes long and all were composed for educational purposes for music schools of the 1st degree.
This is a series of five songs (5 PieÅ›ni OlsztyÅ„skich): Gdy trzcina zaczyna pÅ‚owieć / A w tych borach olsztyÅ„skich / TyÅ› jest jezioro moje / A na skraju lasu / SpÅ‚ywajÄ… krople z ula – with lyrics by Konstanty Ildefons GaÅ‚czyÅ„ski.
Composition written for educational purposes between 1967 and 1977. The exact year is difficult to establish. This one movement piano piece focuses on such harmonic features as tone clusters and bitonality. The piece was originally titled Skipping Rope but was eventually published as A Game.
This is choral song for three equal voices based on the poem by Polish poet Maria Konopnicka (1842-1910). It was written for the Children Choir of the State Music School No. 1 in Warsaw, directed by Mr. Zbigniew Soja.
The piece was composed for the band Capella Bydgostiensis, performing in Filharmonia Pomorska im. Ignacego Jana Paderewskiego (Pomeranian Philharmonic) in Bydgoszcz. The composition is in a form of small cantata with lyrics from a fable by Jean de La Fontaine (1621-1695) in translation by Read more
This is music for puppet theatre A Soldier and an Adder by Tamara Gabbe.
This piano accompaniment was composed for the melody and lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical classes. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
Music for four voice mixed choir for the Polish Christmas carol A wczora z wieczora, based on a XVII century song.
This composition – a song for men’s choir – was written when composer lived in PÅ‚ock.
Adoro Te Devote is an Eucharistic song for high voice and organ composed for liturgical text of Thomas Aquinas. Mrs. Maria Wacholc described the composition in 1992 in her article as follows: “…this beautiful composition features a noble cantilena and harmonic wealth…”.
This is an organ accompaniment for a song After the Fall (Po upadku). It was published in Biblioteka Organisty No. 2 and 3 in 1957.
Music for An Adventure of Wanderer Bear play by Gyennadyi Matveev, Russian playwright. Directed by Marta Janic and translated by Elżbieta Kalinowicz, the play premiere took place in the Puppet Theatre in Åódź on 21 December 1950.
Music for the puppet theatre titled An Incredible Invention of Professor Nut (NiezwykÅ‚y wynalazek profesora Orzeszka) by Zofia Nawrocka. Directed by Henryk Ryl. The premiere spectacle took place in 1958 in the Arlequin Puppet Theatre in Åódź (Teatr Lalek Arlekin).
This one movement composition for a string band was commissioned by Polish Radio in Åódź at the request of its director Henryk Debich.
Music for theatre play Angelica (Leo Ferrero), satirical drama in three acts translated by Tadeusz Żeromski and directed by Roman Sykała. The spectacle premiere took place on 17 February 1957 in Teatr Dramatyczny in Poznań.
Music in three acts for the theatre play Angelo, Tyrant of Padova by Viktor Hugo. Translated by Marian Å»urawka and directed by Zbigniew Koczanowicz. The premiere took place in 1960 in Åódź.
The solo piano piece for educational purposes in the form of etude.
This one movement piece is a transcription of Aria for Viola and Organ for piano.
This is the second version of the piece written in 1991 and this one is arranged for four voice mixed choir, violin, violoncello and organ.
This piece – arranged for four voice mixed choir and organ – was composed for choirs from music schools of 2nd degree in Legnica, for the Organ Conservatory in 1991. It is one movement piece with latin religious lyrics. Composer used the simplest technical measures to ensure that the piece can be performed by school choirs.
The piece was composed at the request of musicology section at the Akademia Teologii Katolickiej on the 10th Anniversary of the academy Choir. The A-B-C structure uses Latin text of a Marian antiphon, which is sung between the holiday of the Presentation of Jesus in Temple and Read more
This composition is a transcription of Ave verum corpus in D major (KV 618) by W. A. Mozart for three pianos, written at the request of Prof. Regina Smendzianka, Head of the  II Piano Department in The Fryderic Chopin University of Music in Warsaw. THe original Mozart’s composition is a motet for four voice mixed choir, strings and organ.
The piece composed under the nickname “Sosna”.
The song for three voice children’s choir composed at the commission of PaÅ„stwowe ZakÅ‚ady Wydawnictw Szkolnych for the Guide for a school choir leader (Przewodnik dla prowadzÄ…cego chór w szkole podstawowej). The piece is particularly suitable for a proficient amateur choir.
Tragedy in five acts by Juliusz SÅ‚owacki (1809-1849), one of Polish national poets, directed by Henryk Ryl. The spectacle premiere took place on 15 July 1957 in the Puppet Theatre Arlekin in Åódź.
Ballet in 2 acts based on libretto by Irena Turska explores a popular plot in Polish stories for children, of a beautiful princess turned into a duck by a wicked wizard. The duck wanders in mysterious cellars of Ostrogski Castle in Warsaw at Tamka Street.
Music for the puppet theatre by Tudorowska and Metyelnikova.
Bóg się Rodzi is a Polish Christmas carol transcripted by the composer for organ.
This is an organ accompaniment for a church song Boże wieczny.
Music for the puppet play Brats by S. Dillin, M. Szyfman. Translated by Jerzy Zaborowski.
This is a song for three equal voices with lyrics by poet Julian Tuwim.
This is a transcription of Cadence (I) from the Concerto D minor No. 2 (RV 394) by Antonio Vivaldi for viola d’amore. It was written for the composer’s son for his naming day in1986 (naming days are more often celebrated in Poland than birthdays).
This is a transcription of Cadence (II) from the Concerto D minor No. 2 (RV 394) by Antonio Vivaldi for viola d’amore. It was written for the composer’s son for his naming day in1986 (naming days are more often celebrated in Poland than birthdays).
This is one movement piece for piano which was written for educational purposes. with the aim to prepare a student for polyphonic thinking.
This is piano accompaniment to the melody and lyrics by Hanna Lachertowa. It was composed for educational purposes and is performed by both a teacher and a student. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie)  published in 1979 by WSiP.
This composition was commissioned by the Warsaw Men’s Choir Harp (Warszawski Chór MÄ™ski Towarzystwa Åšpiewaczego “Harfa”) for the 75th anniversary of the choir.The form of the piece is sequential A-B-C-D-E-F-A’ and it is an apotheosis of love to its hero city, embodiment of human virtues and Read more
This is the second version of cantata Chants of Warsaw originally composed for men’s choir and organ - Chants of Warsaw – for men’s choir and organ. This transcription of the composition was regarded by the composer as a better one because of the wider colour potential. The form of the piece is Read more
Composition written for piano for educational purposes. It is a short three movement piece with cyclical form. The first movement is monothematic, the second has a form of a strophic song, and the third is polyphonic with constant motivic correspondence and voice changes. Read more
Short composition for piano written for educational purposes.
Short composition for piano written for educational purposes.
Short composition for piano written for educational purposes.
This is an organ accompaniment for a church song Chwała i dziękczynienie.It was published in the collection for organists titled Biblioteka Organisty No. 2 and 3 in 1957.
This is an organ accompaniment for a church song Chwała i dziękczynienie.It was published in the collection for organists titled Biblioteka Organisty No. 2 and 3 in 1957.
This is transcription of Ciaccona from the 2nd Partita D minor by J. S. Bach (BWV 1004) for violin and strings, written at the commission of Tadeusz Ochlewski, Head of Chamber Orchestra Con moto ma cantabile. Original Ciaccona was written by Bach for solo violin. Read more
This is an initial sketch of a piece for five voices mixed choir that was never finished.
Composition for piano for educational purposes.
Composition for piano for educational purposes.
Composition for piano for educational purposes.
Composition for piano for educational purposes.
The composition was written to meet the demand of performing organists for a composition for organ and piano. This duo has a very rare instrumental composition where organ and not piano take a leading role. The form of the piece is in the middle between a sonata and a suite, with stylistic Read more
This concerto is a transcription for a wind band of an earlier composition for symphony orchestra. It is a virtuoso piece with a balanced oboe voice and the orchestra.
This is virtuoso, three movement piece regarded by pianist as sonata. It was named sonatina by the composer because of subject and formal development. The form is cyclical with wide melodic. Read more
Both fugues from Contrapunctus XVIII, Die Kunst der Fuge (BWV 1080) by J. S. Bach were originally composed for 2 hapsichords. The composer transcripted the original for the string quartet.
A short piece for piano composed for educational purposes and published by PWM in 1968 in a collection titled Żabki i inne utwory dla dzieci na fortepian, edited by Stanisława Raube.
This song for was composed to illustrate the text and melody of the folk Kurpie region melody taken from the collection Kurpik. The piece was composed in the end of the 40′ of the XX century. The second version of the composition was transcripted for solo soprano and piano in 1950.
A song for solo soprano, choir and chamber orchestra aimed at amateur choirs.
Music for theatre play – comedy in three acts - The Dancing Master (El maestro de danzar, 1594) by Lope de Vega. Full name Felix Arturo Lope de Vega y Carpio (1562-1653) was a Spanish playwright and poet. Translated by WÅ‚odzimierz SÅ‚obodnik and directed by Roman SykaÅ‚a. The spectacle premiere took place in Teatr Powszechny in Åódź on 28 July 1955.
This piano accompaniment was composed for the lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical calsses. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
Song for soprano and piano.
This song has been written in the form of motet for four men’s voices.
This is a series of five songs for soprano voice and piano – Ogrody dzieciÅ„stwa / Martwa natura / Narodziny liryki / Jeszcze kilka pieÅ›ni / Od liÅ›ci po obÅ‚oki – composed for the lyrics of WÅ‚odzimierz SÅ‚obodnik. Uniform music and the texture matching technical possibilities are characteristic for Read more
This is a series of five songs for soprano voice and piano – Ogrody dzieciÅ„stwa / Martwa natura / Narodziny liryki / Jeszcze kilka pieÅ›ni / Od liÅ›ci po obÅ‚oki – composed for the lyrics of WÅ‚odzimierz SÅ‚obodnik. Uniform music and the texture matching technical possibilities are characteristic for
this piece. Originally the piece was composed for soprano voice and piano (1961).
This is one movement composition written for educational purposes for music schools of the 1st degree. The piece is an exercise in rapid technical changes between a left and a right hand.
This is a collection of 26 exercises in harmony. Written between 1965 and 1981.
This is a piano accompaniment which was composed for the lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical exercises. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
Music for the puppet play Fearless Burg (Dzielny Gród) by Tamara Gabbe, directed by Henryk Ryl. The spectacle premiere took place on 1 June 1952 in Puppet Theatre Arlekin in Åódź.
It is one movement piece performed both by a teacher and a student during musical exercises. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
It is one movement piece performed both by a teacher and a student during musical exercises. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
This is one movement song for solo voice with piano with lyrics by the composer. Tadeusz dedicated this piece to his fiancee – Zofia Wiaczkis.
Golden Duck is a fable with lyrics by Hanna Januszewska. The composition was commissioned by the Polish Radio. The fable was broadcasted by the Polish Radio and also recorded by Polskie Nagrania MUZA.
This is a music for the Golden Tower, a comedy in two acts by Artur Marya Swinarski.
Music for the theatre play Green Sward by Jerzy Zaborowski. The play has four acts.
This is a song for a four voice mixed choir originally titled Alleluja, przyjdź Duchu Święty.
This is a Polish Easter song titled Alleluja, Jezus żyje in a choir arrangement.
This piano accompaniment was composed for the lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical exercises. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
This is a collection of 51 exercises written between 1977 and 1980.
This is one movement chorale for six voice mixed choir a cappella with lyrics from XVIII century Polish Lent song titled Wisi na Krzyżu Pan, Stwórca Nieba. It was highly marked by Prof. Bronislaw Rutkowski from Music Conservatory in Warsaw (Konserwatorium Warszawskie), composer’s Read more
This is one piece composition with lyrics from XVIII century Polish Lent song titled Wisi na krzyżu Pan, Stwórca Nieba. It is chorale for 4 voice mixed choir and organ.
The song was composed to help composer with his work with amateur choirs. It is a strophe based piece drawing on a folk melody from the Mazovia region of Poland. Its texture is characterised by imitation technique. The same main theme is present in all voices. The song aimed at amateur choirs.
This composition was written for the school choir lead by Mr. Zbigniew Soja in PPSM No. 1 in Warsaw. It has a ceremonial character and was written for the lyrics of poet Konstanty Ildefons Gałczyński. It features a well developed form and is an apotheosis of a common people song. This one movement piece has Read more
It has a ceremonial character and was written for the lyrics of poet Konstanty Ildefons GaÅ‚czyÅ„ski. It features a well developed form and is an apotheosis of a common people song. This one movement piece has a A-B-A’ internal structure where each section has different tempo and mood. The archetype of the piece was a song with the same title composed for mixed choir in 1953.
This piece has a ceremonial character and was written for the lyrics of poet Konstanty Ildefons Gałczyński. It features a well developed form and is an apotheosis of a common people song. This one movement piece has a A-B-A internal structure where each section has different tempo and mood. Read more
It has a ceremonial character and was written for the lyrics of poet Konstanty Ildefons Galczynski. It features a well developed form and is an apotheosis of a song for masses. This one movement piece has a A-B-A’ internal structure where each section has different tempo and mood. The archetype of the piece was a song with the same title composed for mixed choir a cappella in 1953.
The composition was written to meet the demand of national choirs for songs with a common character but with high artistic features. It has a ceremonial character and was written for the lyrics of poet Konstanty Ildefons Gałczyński. It features a well developed form and is an apotheosis of a common Read more
This is one movement song for four voice children’s choir, based on the lyrics of Konstanty Ildefons GaÅ‚czyÅ„ski, with three part A-B-A’ internal structure. The piece has a couple of versions and the archetype of the piece was a song with the same title composed for mixed choir also in 1953.
Eucharistic song for high voice and organ. Original title Ja wiem w kogo ja wierzÄ™.
This four voices song was composed at the commission of Warszawski Chór MiÄ™dzyuczelniany in Warsaw. It has a form of motet and A-B-A’ structure and was written to illustrate liturgical texts from Roman Missal that are meant to be read on the XIV Sunday after the Pentecost.
Song for solo soprano and piano composed in PÅ‚ock with lyrics from Podhale region of Poland.
Music for puppet play Jak się Hania mała z misiem dogadała by G. Landau.
Eucharistic song for high voice and organ with liturgical lyrics.
The piece is a transcription of Joyful Overture (Popular)Â for wind band. It was first performed by the Polish Army Forces Representative Band. Composer was presented with the Award of Minister of Defence of the 3rd degree for this composition in 1968.
The piece is a classic example of joyful and fireworks overtures. A dominant role is given to strings. This piece was also transcripted for the large wind band (1965).
This piece for large wind band was commissioned by Polish Army Forces Representative Band for its 30th Anniversary. Composer was presented with the Award of the Minister of Defence of the 2nd and 3rd degree for this composition in 1974 and 1978 respectively.
This is an Eucharistic song also known as Już gości Chrystus for high voice and organ.
Music for the puppet theatre Kate and Barbara (Kasia i Basia) by M. Szurinowa.
One movement song for words by Alojzy FeliÅ„ski. This composition is also the second part of cantata Chants of Warsaw which was composed in two versions: for men’s choir and organ and for men’s choir and symphony orchestra.
This piano accompaniment was composed for the lyrics of Hanna Lachertowa for educational purposes. It is a one movement piece performed both by a teacher and a student during musical exercises. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
Kurpie Triptych consists of three songs for solo voices, choir and a folk band and was commissioned by the Polish Radio. It is aimed at more experienced amateur choirs because of its technical level.
This is a song for four voice mixed choir with the lyrics of A. Fiedorowicz.
A song for baritone and a piano dedicated to the composer’s friend Feliks Rudomski.
A song for soprano voice and piano composed for lyrics of a folk song from Kurpie region. It was also written in the arrangement for mixed choir a cappella as 1st part of 10 Kurpie Songs.
Music for puppet play Liczyrzepa by Jerzy Zaborowski.
One movement piece with lyrics of revolutionary song from 1909. There is also transcription for 3 voice choir and for 4 voice choir.
The author of the lyrics from 1909 is unknown. It commemorates 1905 strikes at the factories of Scheibler, Geyer and Poznański, which subsequently turned into riots leading to 2000 protesters killed and injured.
One piece movement for lyrics of revolutionary song from 1909. There is also transcription for 2 voice choir and for 4 voice choir.
The author of the lyrics from 1909 is unknown. It commemorates 1905 strikes at the factories of Scheibler, Geyer and Poznański, which subsequently turned into riots leading to 2000 protesters killed and injured.
One piece movement for lyrics of revolutionary song from 1909. There is also transcription for 2 voice choir and for 3 voice choir.
The author of the lyrics from 1909 is unknown. It commemorates 1905 strikes at the factories of Scheibler, Geyer and Poznański, which subsequently turned into riots leading to 2000 protesters killed and injured.
This is a one movement composition written to meet educational needs.
Music for theatre play Manfred – drama in three acts by Adolf Rudnicki, directed by Marek OkopiÅ„ski. The premiere spectacle took place on the 9 November  1956 roku in Teatr Nowy in Åódź.
One movement song for four voice mixed choir a cappella.
This was a thanksgiving composition for the birth of the composer’s first child – daughter Antonina. The piece for 3 voice boy’s choir and organ.
One movement piece for the lyrics of the song Mazur Kajdaniarski, composed in 1949. The lyrics were originally written in 1886 after the trial of Proletariat group in Warsaw Citadel, which at the time was under Russian occupation. The piece was also transcripted for 3 voice choir and for 4 voice choir.
One movement piece for the lyrics of the song Mazur Kajdaniarski, composed in 1949. The lyrics were originally written in 1886 after the trial of Proletariat group in Warsaw Citadel, which at the time was under Russian occupation. The piece was also transcripted for 2 voices and for 4 voice choir.
One movement piece for the lyrics of the song Mazur Kajdaniarski, composed in 1949. The lyrics were originally written in 1886 after the trial of Proletariat group in Warsaw Citadel, which at the time was under Russian occupation. The piece was also transcripted for 2 voices and for 3 voice choir.
Composition written for educational purposes for four hands for piano.
This mass was composed at the request of Janusz Dąbrowski, conductor of Międzyuczelniany Chór Akademicki, on the 1oth anniversary of the choir. This piece was composed specifically for liturgical texts.
Music for the theatre play Much Ado About Nothing by William Shakespeare. The comedy in five acts, directed by Jerzy Ukleja had its premiere spectacle in Teatr Powszechny in Åódź on 10 May 1958.
This composition was commissioned by Karol Teutsch, Head of Chamber Band of Filharmonia Narodowa (Warsaw Philharmonic). It is one movement piece with vocalise and easy structure close to A-B-A form. It means that the piece consists of a couple of episodes where the last one is a repetition Read more
Initially the piece was composed for harp as Music for Harp, Flute, Oboe, Clarinet, Horn and Bassoon in 1963.
ABC malarstwa was an educational film about art produced by Wytwórnia Filmów OÅ›wiatowych w Åodzi. It teaches about history of painting from Gothic to the XX century and about theory of painting, means of expression and development of form in particular. Director and script author – Bohdan MoÅ›cicki; commentary – Prof. Jan BiaÅ‚ostocki; camera – MieczysÅ‚aw Vogt; consultation – Marian Minich and StanisÅ‚aw FijaÅ‚kowski.
Music illustrating a black and white film produced in Studio Filmów KukieÅ‚kowych in Åódź. Director and script author – Zenon Wasilewski; camera – Zygmunt KamiÅ„ski. The plot of the film is about a hungry fox which had been praising the alleged beauty of the crow’s voice for so long that the crow eventually opened its beak and dropped the cheese, for which the fox was waiting.
The film produced in colour in Studio Filmów Lalkowych w Tuszynie near Åódź. Director and script author – Lucjan DembiÅ„ski; camera – Leszek Nartowski.
A story about a girl created from a dumpling and her adventures with a little hare she met on their way to the town of Toruń. Based on the stories Pyza na polskich dróżkach by Hanna Januszewska.
The film produced in colour in Studio Filmów Lalkowych w Tuszynie near Åódź. Director and script author – Zenon Wasilewski; camera – Leszek Nartowski.
Yet another version of the well known Polish story for children about a dragon and a brave shoemaker. Based on the story by Maria Kownacka titled Szewczyk Dratewka.
Music illustrating a black and white film produced by Wytwórnia Filmów Dokumentalnych in Warsaw. Director – WÅ‚adysÅ‚aw Åšlesicki and WÅ‚odzimierz Pomianowski; camera – Witold LeÅ›niewic. The film is a documentary from the summer camp of the Warsaw Scout Group Starówki.
This composition was written for the soprano singer Jadwiga Gadulanka and the Chamber Band of Filharmonia Narodowa (Warsaw Philharmonic) lead by Karol Teutsch. It is one movement piece with vocalise and easy structure close to A-B-A form. It means that the piece consists of a couple of Read more
This is organ accompaniment to the church song Niechaj będzie pochwalony.
This is organ accompaniment to the church song Niechaj będzie pochwalony.
This is one movement song for four voices mixed choir with lyrics by Polish poet Jarosław Iwaszkiewicz (1894-1980).
Theatre music for drama November Night (Noc Listopadowa) by StanisÅ‚aw WyspiaÅ„ski (1869-1907), directed by Kazimierz Dejmek. The spectacle premiere took place on 19 January 1956 in Teatr Nowy in Åódź.
Composition written for educational purposes in the tempo and form of a Polish lively dance Oberek – one of five Polish national dances – for two pianos for children. The exact year of composition is not known but it was written between 1967 and 1977.
Composition written for educational purposes in the tempo and form of a Polish lively dance Oberek – one of five Polish national dances.
Cantata for four voices, choir and orchestra with lyrics from Ode To Youth (Oda do mÅ‚odoÅ›ci)  by Romantic Polish national poet Adam Mickiewicz (1978-1855). It was a diploma work of the composer at the Department of Composition at PWSM in Åódź in June 1950. The composition is in classic modernism style and Read more
Cantata for four voices, choir and orchestra with lyrics from Ode To Youth (Oda do młodości) by Romantic Polish national poet Adam Mickiewicz (1978-1855). The piece was composed for the Mixed Choir Surma on its 60th anniversary. It is a modernised version of the diploma work of the composer which Read more
Cantata for 4 voice mixed choir with lyrics by Artur Oppman. The inspiration to compose the series of songs in different rhythms and musical ambience was taken from poems of Artur Oppman. The composition consists of six songs – Po klawiszach / Czy przypominasz / Jak mazurek zuchowaty / Read more
Song for voice with piano with lyrics from Lublin region of Poland.
A one movement song for single voice and piano with lyrics by WÅ‚odzimierz SÅ‚obodnik.
Song for voice with piano with lyrics by Włodzimierz Słobodnik. Slightly modified, it was published in a collection Toast serdeczny under the title Old Town Rhymes (Rymy staromiejskie).
The opera was composed for the libretto of Wiktor Brégy, based on the story by Jadwiga Luszczewska (Deotyma), titled Panienka z okienka. The story takes place in the XVII century in the town of Gdańsk in the Kingdom of Poland ruled by king Władysław IV. Read more
Composition was commissioned by a Committee organising the 500th Anniversary of Birth of Nicolaus Copernicus. The oratorio was composed for selected texts and texts by Stefan Polom, that were translated to Latin by Prof. Wiktor Steffen, and it requires a large ensemble of artists – about 200 persons. Read more
This version of the concerto was written for the concert dedicated to the staff and families of the Warsaw Garrison, that took place on 5 May 1976. The earlier version of the piece for symphony orchestra was composed in 1967.
Orpheus in the Woods is a cantata consisting of six songs with the lyrics by Polish poet Krzysztof Kamil Baczyński (1921-1944). The contents, dramaturgy and formal arrangement of this composition is determined by the original poem and its emotions, changes of atmosphere and bright and charming poetical form. Read more
The song for three equal voices for the lyrics of Polish poet Władysław Broniewski (1897-1962).
Eucharistic song for high voice and organ.
Music for puppet theatre Pinocchio by Carlo Collodi, directed by Aleksander Maliszewski.
A song for voice and piano, composed under the nickname Pantofel.
This anthem was arranged for choir and orchestra with lyrics by Jan Chojnacki. Another version of this composition was written for men’s choir and piano.
This version of the anthem was arranged for men’s choir and piano with lyrics by Jan Chojnacki. Another version of this composition was written for choir and orchestra.
A one movement piece for piano composed for educational purposes.
The piece is a song for four voice mixed choir. It was composed at the request of father Kazimierz Szymonik for the Choir of Akademia Teologii Katolickiej in Warsaw. It is religious composition in one movement in the form of litany with lyrics by father Jan Twardowski. Pleading character – so Read more
This is one of three transcriptions of the anthem which were commissioned for Polish Composers Association (Związek Kompozytorów Polskich). Instrumentations for wind bands were based on the score for symphony orchestra by Jan Maklakiewicz.
This is one of three transcriptions of the anthem which were commissioned of Polish Composers Association (Związek Kompozytorów Polskich). Instrumentations for wind bands were based on the score for symphony orchestra by Jan Maklakiewicz.
This is one of three transcriptions of the anthem which were commissioned of Polish Composers Association (Związek Kompozytorów Polskich). Instrumentations for wind bands were based on the score for symphony orchestra by Jan Maklakiewicz.
This is transcription of the anthem for a string quartet written for the Kwartet Varsovia.
The piece is a transcription of the fragment of GdaÅ„sk Romance opera – Polonez dance (Polonez is one of five Polish national dances) – written for the Polish Army Forces Representative Band.
This is unfinished composition for piano written for educational purposes.
Mysic for the puppet theatre based on the children’s story book titled Porwanie w Tiutiurlistanie by Wojciech Å»ukrowski.
This piano accompaniment was composed for the melody and lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical classes. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
One movement miniature piece – based on the Non Troppo Lento prelude for organ – part of the 2 Preludes for Organ (1941).
Composition written for educational purposes between 1967 and 1977. The exact date is difficult to establish. This one movement piece introducesmodern form creating measures to a student. Initially titled Reverie, the piece was eventuall published as Prelude.
The piece was commisioned by the Wind Quintet of the Polish Radio and TV in Katowice.
This is an organ accompaniment for a traditional Polish church song Przed tak wielkim…
This is a song of Virgin Mary. It was also arranged for two other choir sets.
This is a song of Virgin Mary. It was also arranged for two other choir sets.
This is a song of Virgin Mary. It was also arranged for two other choir sets.
This is a popular Polish Christmas carol transcripted by the composer for violin and two violas for his son Artur, his wife Maria and their daughter Katarzyna.
This piece for five mixed solo voices and organ in the form of motet, was composed at the commission of Stanisław Moryto, Head of Organ Conservatory in Legnica.
Radio opera in one act composed for the libretto by Zbigniew Kopalka and texts of  Herodotus the Greek historian and Archilochus the Greek poet. Their texts show  sinister consequences of Aphrodite’s envy. The young and beautiful queen Ligeia enraged the Greek goddess of love envious about Zeus. As a result fights erupt in the kingdom, swords cross and blood is spilled.
Composition written for educational purposes. It is one movement piece based on a folk melody in the form of canon with polyphonic character. The original manuscript was titled A Song; it was however published as Reapers.
Red Åódź – original title Czerwona Åódź – is a small cantata for choir and orchestra composed at the request of Åódź Singers Society (Åódzki ZwiÄ…zek Åšpiewaczy). It is a simple texture elaboration on proletariat folk aimed at amateur choirs.
The name of the composition refers to the name of a street in Åódź where in the mid XIX century a dyeing factory of Lange, later Geyer, was situated. Discharge from the factory was red and was flowing freely along the pavements. Hence the name of the street – Red Street. Sewage system was put in place in 1937 but the name remained.
Words of the song were likely to be written during a thatcher strike in 1932.
Six songs for four voice mixed choir for Corpus Christi. The songs are: Respexit Elias / Immolabit / Homo guidam / Mens impletur gratia / O Sacrum / Misit me vivens.
A one movement song for mixed choir and organ with lyrics from XVI century Polish song for Lent titled Rozmyślajmy dziś, wierni chrześcijanie.
A one movement song for mixed choir and organ with lyrics from XVI century Polish song for Lent titled Rozmyślajmy dziś, wierni chrześcijanie.
This is one movement piano accompaniment to lyrics by Hanna Lachertowa which was composed for educational purposes.
This is a piano accompaniment which was composed for the lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical exercises. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
Music for theatre play Sauna (from Russian Banya), drama in six parts by Russian poet and playwright Vladimir Mayakovski (1893-1930). Translated by Artur Sandauer and directed by Kazimierz Dejmek. The spectacle premiere took place on 11 December 1954 in Teatr Nowy in Åódź.
A cheerful and jolly one movement piece for piano and orchestra.
This is transcription of original cantata Sea-froth Cut-outs (I) for three voice children’s choir and brass quintet for a three voice children’s choir with piano. This version of the piece was composed to aid an education of choir singers and when there were difficulties in finding the professional brass Read more
This is another version of the small cantata Sea-froth Cut-outs (I) for three voice children’s choir and brass quintet in transcription for a three voice children’s choir, string band and piano. This composition was written for school bands – the choir and the string band lead by Zbigniew Soja in PPSM No. 1 (State Music School No. 1) in Warsaw. The instrumental composition of the ensemble in this version was a result of the performing abilities of the school bands.
This composition is a small cantata for three voice children’s choir and brass quintet with lyrics by WÅ‚odzimierz SÅ‚obodnik. The inspiration to write this piece was a nice and cheerful poem received from its author WÅ‚odzimierz SÅ‚obodnik during holiday in Dom Pracy Twórczej ZAIKS in Ustka in 1956. Read more
The piece written for four hands for piano for educational purposes.
Song for solo soprano and piano.
Music for puppet theatre by Maria Kann (1916-1995). There were two play premieres one in 1954 and the other in 1964, each in different scenography.
The piece was composed for educational purposes for children for piano. It is a one movement composition where sounds imitate sledge bells ringing.
This is one movement song for four voice mixed choir using lyrics by the poet Konstanty Ildefons Gałczyński.
A song (Piosenka) for piano composed for educational purposes.
This piano accompaniment was composed for the melody and lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical classes. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
This piano accompaniment was composed for the melody and lyrics of Hanna Lachertowa for educational purposes. It is one movement piece performed both by a teacher and a student during musical classes. Composition was included in a school book Note, Sound, Key – the beginning of piano playing (Nuta. DźwiÄ™k. Klawisz – PoczÄ…tki gry na fortepianie) published in 1979 by WSiP.
The song was written by the composer fascinated with the poetical expression of the poem by Polish poet Konstanty Ildefons Gałczyński (1905-1953). The music serves as an illustration for the text of the poem. Its contemplative and reflective character of the song was underlined by the use of spoken lyrics. The other version of the piece for four voice mixed choir was composed in 1993.
The song was written by the composer fascinated with the poetical expression of the poem by Polish poet Konstanty Ildefons GaÅ‚czyÅ„ski (1905-1953). The music serves as an illustration to the text of the poem. Originally the song was composed for four voice men’s choir in1968.
This short piano piece was composed for educational purposes. Initially titled Sixth-chord Etude.
For mixed choir a capella. For liturgical texts.
For men’s choir and organ. For liturgical texts.
Compostion was written in the form of cantata as a result of fascination with poems of WÅ‚adysÅ‚aw Broniewski and consists of the following five songs – Równino mazowiecka / Rzeko piÄ™kna / Mowo polska / Nad WisÅ‚Ä… jest miasto / Warszawo, strzaskana kolumno (double fugue) – lyrics for which were taken from the poem Mazovia (Mazowsze). Read more
This is a series of songs for three voice mixed choir which was written for a young church band lead by the composer. It is an arrangement of eight well known church songs from father Jan Siedlecki’s church songbook (Åšpiewnik koÅ›cielny) for two female and one male voice. Songs are aimed at amateur choirs and are as Read more
Composition written for educational purposes for piano.
Composition in one movement written for educational purposes for children for piano.
The piece was composed for educational purposes.
Music for the theatre play Stop the Train by Evan McColl. Directed by Roman SykaÅ‚a. The spectacle premiere took place on 8 January 1955 in Teatr Powszechny in Åódź.
This piece is a transcription of Suite from the ballet Legend of Warsaw for the wind band, and was commissioned by the Polish Army Forces Representative Band.
Symphonia de Nativitate by Polish anonymous from 1759 is a reconstruction for a string band. The composition was reconstructed at the request of Tadeusz Ochlewski, Director of PWM and Head of the band Con moto ma cantabile. Based on the remains of orchestra scores and autographs from the middle of XVIII century, the composer created entirely new composition, but in the style and spirit of the time.
This song for was composed for singer Lidia Skowron. It illustrates the text and melody of the folk Kurpie region melody taken from the collection Kurpik. This is the second version of the composition which was originally composed for four voice mixed choir a cappella (1948).
This is the arrangement of Thai National Anthem for symphony orchestra commissioned by Warsaw Philharmonic (at the time National Philharmonic).
This is music for the play The Road to Rome by Robert Emmet Sherwood (1986-1955). Translated by WacÅ‚awa Komarnicka and Krystyna Tarnowska, directed by Roman SkaÅ‚a. The spectacle premiere took place on 17 March 1962 in Teatr Powszechny in Åódź.
These two songs for six voices mixed choir were composed at the request of father Kazimierz Szymonik for the Choir of Akademia Teologii Katolickiej in Warsaw. Compositions were inspired by the lyrics of Karol Wojtyła (future pope John Paul II) taken from the collection of poems Myśląc Ojczyzna. Read more
Music for the puppet theatre Three Bears. Translated by J. BuÅ‚akowski and directed by Wanda Byrska. The play premiere took place in the Puppet Theatre in Åódź on 20 December 1953.
This is one movement song for three voice children’s choir with irregular structure with lyrics by Polish poet WÅ‚adysÅ‚aw Broniewski (1987-1962), composed at the comision of PaÅ„stwowe Wydawnictwa Muzyczne PWM for The Guide for Primary School Choir Master (Przewodnik dla prowadzÄ…cego Read more
This song was dedicated to and composed at the commission of the Warsaw Choir Surma. The piece has a form of motet with the A-B-C-A’ structure and lyrics by the Polish Renaissance poet Jan Kochanowski (1530-1584). The composer applied elements typical for a Renaissance choir to match the Renaissance lyrics.
Composition written for piano for educational purposes. Initially titled Toddlers’ Play.
Composition written for educational purposes for piano for children. It has a broad tonality and slow tempo to illustrate lazy movements of a tortoise.
Composition was written for educational purposes for four hands for piano for children. It is a one movement piece with variational structure and in march tempo.
This composition was dedicated to the composer’s grand son and was written at the request of Prof. Krystyna Boczkowska for educational purposes and for a performance of Filip and Wojciech – composer’s grand son. This is one movement piece stimulating child’s imagination by imitating sounds of a moving Read more
This composition was written for educational purposes. This is one movement piece stimulating child’s imagination by imitating sounds of a moving train. Another version was written for four hands:Â Train – for 4 hands for piano.
Music for puppet theatre by Jerzy Zaborowski about life of scouts directed by Wanda Byrska. The play premiere took place on 16 December 1952 in the Puppet Theatre Arlekin in Åódź.
Music for the puppet theatre of Jerzy Zaborowski, directed by Wanda Byrska. The spectacle premiere took place on 16 December in the Puppet Theatre Pinocchio in Åódź.
This two movement piece was composed for educational purposes. Diversity of sound articulation dynamics and introduction of two fermata in one bar are features of this composition.
Published in Bibliotka Organisty No. 2 in 1957.
Published in Bibliotka Organisty No. 2 in 1957.
Published in Bibliotka Organisty No. 2 in 1957.
The opera was commissioned by Polish Radio and composed for the libretto of Zbigniew Kopalka, based on the ancient Japanese literature from the VII and IX century. The tragic story of love between a courtier Narihira and beautiful Ushiko, also loved by the emperor Selwa. Read more
This song is in the form of motet for four voice men’s choir.
This composition was written for music school choirs from Legnica. It is one movement piece with Polish religious lyrics. Composer applied the simplest technical measures to ensure that the composition can be performed by school choirs.
This piece was composed at the commission of PaÅ„stwowe ZakÅ‚ady Wydawnictw Szkolnych for the guide Przewodnika dla prowadzÄ…cego chór w szkole podstawowej. It is a song for three voice mixed choir with lyrics by Konstanty Ildefons GaÅ‚czyÅ„ski. It has simple texture and is aimed for highly skilled children’s choir.
The piece composed as a result of composer’s fascination with poems of WÅ‚adysÅ‚aw Broniewski. Lyrics were taken from the lyrical poem titled Vistula (WisÅ‚a).
This composition is a song for three voice female choir or children’s choir with lyrics by Polish poet Julian Tuwim (1894-1953). It was written to meet the needs of the school choir lead by Mr. Zbigniew Soja in PPSM Nr 1 (state music school no. 1) in Warsaw.
The piece consists of three songs for four voice mixed choir and was composed at the commission of Warsaw Mixed Choir Surma (Warszawski Chór Mieszany Surma). Lyrics by three poets were used in the composition: Warszawo w mur potężna by Zygmunt Laukowski, Będziemy znowu mieszkać by Read more
This is an organ accompaniment for the traditional Polish Christmas carol When the Christ is Born (Gdy siÄ™ Chrystus Rodzi).
This is a transcription of the traditional Polish Christmas carol When the Christ is Born (Gdy siÄ™ Chrystus Rodzi) for viola and two violas for the composer’s son Artur, his wife Maria and their daughter Katarzyna.
The song is based on the folk Kurpie song for choirs lead by the composer. It is an artistic arrangement of three folk songs from the collection of father Władysław Skierkowski titled Puszcza Kurpiowska w pieśni and published by Towarzystwo Naukowe Płockie in Płock in 1928. The internal Read more
This is organ accompaniment for a Christmas carol Wise Men (Mędrcy Świata).
Christmas carol with lyrics by Zofia Mordawska.
Christmas carol with lyrics by Zofia Mordawska.
Christmas carol with lyrics by Zofia Mordawska.
One movement song for two voices choir. It was also transcripted for 3 voice mixed choir and for 4 voice mixed choir.
One movement song for 3 voice mixed choir. It was also transcripted for 2 voices and for 4 voice mixed choir.
One movement song for 4 voices mixed choir. It was also transcripted for 2 voices and for 3 voice mixed choir.
A song for a voice with piano composed under the nickname “Prom”.
A ballad for baritone voice and piano commissioned by and with lyrics by Jerzy Sergiusz Adamczewski. The second version of the piece was transcripted for soprano, baritone and piano.
A one movement ballad for soprano, baritone and piano. The original piece was composed for baritone and piano in 1974.